Mid-Century Modern: Interiors, Furniture, Design Details (Conran Octopus Interiors)
The 1950?s house was a scientific triumph, designed in a laboratory and tested on inhabitants of all ages before being built for the masses. Never had homes been so thoroughly contemporary, with antiques and period styles entirely banished. Mid-Century Modern explores the interior decor of this seminal decade, concentrating on all aspects of a home's decoration?walls, flooring, surfaces, lighting, and, of course, furniture. Case studies examine beautiful present-day homes that exhibit mid-century style in an exemplary way, and suggest ideas for taking the 1950?s look?complete with collector's pieces?and mixing and matching it with elements from other eras.
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Mid-Century Modern: Interiors, Furniture, Design Details (Conran Octopus Interiors) Reviews
An American manufacturer shared Nelson's view and in 1944 collaborated with Noguchi to transform the design into a coffee table. As just one example:. On the dustwrapper, it mentions "Bradley also completed a master's degree in History of Art at the University of London".
A typical paragraph:. Beats me. "In Isamu Noguchi's hands abstract art became applied art, In one of his sculptures, wood and glass were moulded into an arrestingly curvaceous silhouette that caught the eye of George Nelson, who identified the shape of a table in its form.
If you are like me, you'll finish up skipping over the text and enjoying it simply for its illustrations, which I found inspiring and first class. I recommend this book for its masses of interesting, clear and well-composed and chosen pictures of mid-century design. Organic in style, Noguchi's Coffee Table was manufactured with two wooden legs that interlocked to form a tripod, which supported a plate-glass top 2cm (3/4in) thick. On checking the index, I found that there is actually a photo, earlier in the book, in which a part of such a coffee table is visible. I found the writing is very heavy going. to articulate the tension between movement and stillness, which can never be separated from the human body". Consequently, 1950s furniture often expressed a body-consciousness unknown to other traditions.".
The text is not always linked to the pictures. ". Designers used furniture to articulate the tension between movement and stillness, which can never be separated from the human body. Dunno.
Descriptions of stylish objects in text, without linked illustrations is hard to follow. Does this actually mean something that can be expressed in simple words. ". If you want inspiration and ideas, the excellent photographs will give you what you are looking for. What I liked about this book: It is well organised and it has lots of well-chosen, well composed, colorful and clearly printed photographs.
Mid-century designers regarded furniture as tactile art intended to cradle the human form. "The new styles of furniture took centre stage with the distinctive shapes that continue to typify the look today. Only one picture contains a human figure - the others let you concentrate on the design and the furnishings, with no distracting sign of any occupants. At a third reading, I'd give up, not knowing whether it meant something profound or whether it was impressive-sounding but essentially meaningless. Needless to say, Noguchi's considered balance of sculptural form, design innovation and durable function inspired other designers of the period to pursue abstract shapes.". the dynamics of lived experience in static form." Huh. Although the use of new materials and techniques pioneered a change of direction for furniture - with moulded and glued plywood, and plastics reinforced by fibreglass, among the exciting developments - the forms continued to take shape in relation to the human body.
While mid-century furniture is often recognisable by its balance of form and function, its impact resulted from its ability to convey the dynamics of lived experience in static form. I'd read a paragraph and think "that sounds impressive - but what does it mean." Then I'd read it again more carefully. It seemed to me that the book reads like a master's degree dissertation in which the writer's aim is to show his professor that he has thoroughly mastered the subject - rather than a book aiming to inform and entertain a general reader interested in the subject. Where the book falls down. Both parts of the design were reversible: the tabletop could be placed upside down or back to front, while the mirror effect of the tripod's design enabled it to maintain the same profile even when turned upside down.
I wanted to learn more about my newest interest and this book has been great. A good overview balanced with enough details without being overwhelming - so happy I bought it.
It may not be the perfect encyclopedia for specialists, but for people like me who just love beautiful things, it is great fun to have and contains a lot of interesting facts about mid-century design. A beautiful book, I see something new each time I flip through it.
This book is filled with spectacular color photos of mid-century modern home interiors. Lots of ideas here for color schemes, furniture layout and incorporating mid-century aspects into any room of your home.
Fabulous photographs & narration. ntury enthusiast. Very inspiring. An absolutely stunning book & a must for any mid ce.
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