Scanning Negatives and Slides: Digitizing Your Photographic Archives
A large number of contemporary photographers have either moved into digital photography exclusively or use both analog and digital media in their work. In either case, there is most likely an archive of slides and negatives which cannot be directly integrated into the new digital workflow, nor can it be archived in a digital format. More and more, photographers are trying to bridge this gap using high-performance film scanners. How to achieve the best possible digital image from a negative or slide, and how to build a workflow to make this process efficient, repeatable, and reliable, is the subject of this book. The author uses Nikon's filmscanners throughout, but all steps can easily be followed using a different scanner. The most common software tools for scanning (SilverFast, VueScan, NikonScan) are not only covered extensively in the book, but are also provided on a CD along with other useful tools for image editing, as well as numerous sample scans.
Scanning Negatives and Slides: Digitizing Your Photographic Archives Accessories
 Fine Art Printing for Photographers: Exhibition Quality Prints with Inkjet Printers, 2nd Edition
Digital Restoration From Start to Finish: How to repair old and damaged photographs
Plustek OpticFilm 7200 7200DPI Film Scanner
Color Management in Digital Photography: Ten Easy Steps to True Colors in Photoshop
Mastering Landscape Photography: The Luminous Landscape Essays
Mastering Digital Scanning with Slides, Film, and Transparencies
Epson Perfection V750-M Pro Color Scanner
Epson Perfection V700 Photo Color Scanner
Nikon Super CoolScan 5000 ED Film Scanner
The Adobe Photoshop CS3 Book for Digital Photographers (Voices That Matter)
Scanning Negatives and Slides: Digitizing Your Photographic Archives Reviews
It not only discusses the subtle differences between the major scanners (i.e., Nikon and Canon) but there is a DVD included with pictures that actually ENABLE one to view the differences in scans produced (and the subtle differences/tradeoffs between scanners in terms of color saturation, resolution, etc. For those with little photography or scanning experience (i.e., not knowing about bits or resolution) this book would be of little value. However, for those with intermediate experince it is excellent. This book should be on the shelf of any person interested in advanced scanning or purchasing a scanner that is beyond entry level. Very good discussion also of color correction, eliminating scratches, dust removal and other such touch ups. The major brands are discussed in detail with good comparisons between them. Examples, even subtle, are evident in these pictures, unlike so many photo books. Last but not least equipment such as different stretch negative holders and scanhancer are discussed (helps soften scanned images).
It discusses, in depth, factors that affect scanners (i.e., DPI, RAW vs JPEG, etc).
It points out the many practical fallacies that underlie advertising with respect to scanners (that DPIs for example really are very limited in telling you the resolving quality of different scanners as they vary so much between scanners even if they are stated to be the same (i.e., a 1600 dpi Nikon is not equivalent to a 1600 Canon).
is evident in these).
The reason for this is the book is printed in high quality museum quality paper with high resolution (hence its relatively high cost).
The book also provides very good high resolution pictures that actually show difference in photos (i.e., different bit rates, resolutions, etc).
and does so in good detail.
In addition, the book is an excellent buy before purchasing a new scanner.
The last major strength of the book is its good discusion of scanning software.
Definiely reccmd it to anyone considering digitizing your archive of negatives and slides. covers a lot of basics on the options currently available out there. Excellent book.
He has accomplished this in a way both the novice & expert will benefit from. The primary objective of the author is to take the film photographer who has accumulated an archive of analog negatives & slides & bring them into the world of digital conversion. As a result of this book I have gained a higher level of confidence going into converting my 20 years of underwater slides to digital images. As this book is comparing the subtle differences in scanned images the paper and print qualities are paramount to the books success in conveying the desired message. The physical quality of this book is EXCELLENT. The author explains in detail how to achieve the best possible digital image from your scanner & how to build a work flow to make the process efficient, repeatable & reliable.
The authors do a very thorough job of discussing the topic of scanning slides. There is a lot of good information for someone who will or already has purchased a dedicated film scanner with the intent of making high-quality scans.
I purchased the Plustek Optic Film 7200 + this tutorial book. The book was informative at first and convinced me to use the SilverFast SE software in lieu of the Quik-Scan. The author likes the NIKON scanners and really dwells on them. FYI - Silverfast out of Sarasota FL has a great Tech Support guy named Boris @ 941-921-4815 call between 3PM & 5:30 PM and he will talk you through your problems. Unfortunately, the book scans over the SilverFast SE program and wants to tell you all about the Silverfast Ai programs and beyond.
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