Sony ECM-DS70P Electret Condenser Stereo Microphone
If built-in microphones aren't cutting it, pick up Sony's ECM-DS70P. This stereo microphone gives you increased audio quality when recording onto digital media, such as MiniDisc, DAT, & NT. Also, it's small size and light weight makes it easy to take with you. Color - Gray Includes - 3.3ft. microphone cord and clip Weight - 3/8oz.
The ECM-DS70P microphone is the perfect companion to any digital recording device. If the built-in microphone you currently are using doesn't allow for the mobility or quality you demand, this stereo microphone is sure to meet your demands. With plug-in power there is no need for batteries or additional power cords. The microphone plugs directly into your recorder, minimizing possibly confusing cord requirements. The electret condenser microphone is uni-directional, meaning your recording will capture the full stereo sound of your selected subject. The gold-plated plug ensures a proper connection. The microphone is compact and lightweight (only 10 grams) and thus will travel nicely with your compact digital recorder. With the one meter mic cord and included clip, your recording process will be that much easier. The ECM-DS70P is recommended for digital recording devices like the MiniDisc, DAT and NT recorders. What's in the Box
Sony ECM-DS70P microphone and microphone cord.
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Sony ECM-DS70P Electret Condenser Stereo Microphone Reviews
the sound is good its good. i tried it on my other computer.
Bottom Line: This microphone was able to capture the most diminutive harmonics and loudest fortissimo's without any problems at either end of the spectrum, and I would recommend this to ANY amateur/intermediate performer wishing to capture a high-quality recording of their work. In a move that is very unlike me, I bought this microphone to make stereo recordings of some piano pieces I had to perform while away from home (and my recording equipment). The ONLY thing keeping me from giving this microphone 5 stars is that it's not powered, and there was no way to enable it to work with my MacBook Pro without buying extra hardware. I bought a Griffin iMic ($39.99) and used it in conjunction with Audacity without a hitch. I have to admit, for Sony, this product is pretty bang-on.
Not to worry though: It wasn't terribly costly. The recordings I made were so good that my friends and family were unable to tell which recordings were made in a studio (with professional-quality equipment) or with the iMic/Sony mic combination when put on a mixed CD. The microphone is responsive across a broad spectrum of dynamics and acoustically accurate, although I typically stereo microphones with an X or Y arrangement for good presence. With careful positioning (and a rubber cushioning pad), this microphone achieved some almost studio-quality recordings (bearing in mind that I was playing on a meticulously maintained $150,000 piano.). .
It does a good job of recording, nice frequency range, and good stereo, and a great price. Since there is no shock mount for this mic, I would suggest mounting it where it cannot be touched. The one drawback is that touching the mic or even the cord while recording imparts a very loud noise on the tape. I purchased the Shure ECM-DS70P for use with my portable DAT machine.
It CAN be overloaded/distorted, but I've only found that in cases of really bad room acoustics and loud enough to be uncomfortable and distort even my listening. Only complaints are that there is no (known) windscreen available, and the clip is not really up to the task, and easily lost. All of which are folk & alt.country. Elsewise, this mike has been the single consistent tool in my mission to preserve live music shows.
I've been using mine with excellent results for 4 years now. I've never been caught, as the whole rig can be set to "all green but hold final count" status before entering the venue, and then easily hidden as intermission lights come up. I find the stereo separation acceptable under most circumstances. I made a replacement with a paper clip and an alligator clip.
I use Sony MZ R700, R900, and MZ N1, and I can't tell one from the others under most recordings.
I used it on my laptop and on my digital recording device and both had large amounts of noise. First of all it has a significant amount of noise that occurs even when the environment is completely silent. The playback doesn't have a good sound in the lower ranges. In short, don't buy this mic if you want to record music.
I wish someone could e-mail me or tell me another mic that is of great quality in this same range. Save your money I wish I had. Also the lower hertz(lower pitches or bass) are not very audible. I have yet to find one.
I am a completed music education major, strong in both choral and instrumental suits, and this microphone is fine for the speaking voice but is not good for recording music.
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