The Agony and the Ecstasy
Charlton Heston and Rex Harrison portray two of the Renaissance's most colorful figures in this historical drama based on Irving Stone's best-seller set in the early 16th century. When Pope Julius ll (Harrison) commissions Michelangelo (Heston) to paint the ceiling of the Sistine Chapel, the artist initially refuses. Virtually forced to do the job by Julius, he later destroys his own work and flees to Rome. Eventually resumed, the project becomes a battle of wills fueled by artistic and temperamental differences that form the core of this movie. Nominated for an Oscar® Cinematography and named one of the year's best films by the National Board of Review.
Carol Reed (The Third Man) directed this 1965 portrait of the relationship between Michelangelo (Charlton Heston) and Pope Julius II (Rex Harrison), who commissioned the artist to paint the Sistine Chapel ceiling. Based on a novel by Irving Stone, the script plods along, juggling the dynamics between the two men along with a somewhat perfunctory love story and distracting battle sequences. Reed seems more attuned to the nuances and great pains of the artistic process, as seen in sequences of Michelangelo working. But the overall focus of the film is unfortunately fuzzy. --Tom Keogh
The Agony and the Ecstasy Accessories
 A Man for All Seasons (Special Edition)
El Cid (Two-Disc Deluxe Edition) (The Miriam Collection)
Ben-Hur
Becket
The Ten Commandments (50th Anniversary Collection)
The Lion in Winter
Lust for Life
Francis of Assisi
The Fall Of The Roman Empire (Two-Disc Deluxe Edition) (The Miriam Collection)
The Robe
The Agony and the Ecstasy Reviews
The scenery, acting and story are very well done. A must see film. An impressive film that should be in any film buff's library. Introduction to the film provides important views and impressions of the Vatican setting and the spectacular creation of the famous ceiling painted by Michelangelo. However, the acting and exchanges between Heston as Michelangelo and Rex Harrison as Julius II is superb. Some license is taken with the lives of both Michelangelo and Pope Julius II.
The two leads are good in their roles and, except for some awkward dubbing (apparently some of the actors were speaking Italian), the supporting cast is solid. The script is literate and thoughtful. I rewatched many of my favorites and sought out some of those I had never seen. The film's running time is 138 minutes, but it feels padded as though the filmmakers were trying to create an epic out of what is really a simple story.
Harrison is wonderful as the conniving (and miserly) Julius, who loves art as much as warfare. Their scenes together are the most enjoyable. But the heart of the film is the relationship between Michelangelo and the pope. "The Agony and the Ecstasy" was new to me.
Heston plays Michelangelo as the proverbial tortured artist, unable to give his passion to a woman because he invests all of it in his work. It explores the importance of art in our lives, and the toll it can claim on those who create it. The first 12 minutes are a narrated mini-lesson on Michelangelo's greatest works. It recounts the turbulent relationship between Michelangelo (Heston) and Pope Julius II (Rex Harrison) during the period when the artist painted his magnificent frescoes on the ceiling of the Sistine Chapel.
All in all I would recommend "The Agony and the Ecstasy" to anyone who likes Charlton Heston and big historical films. There are many sequences of Michelangelo painting, priests chanting, and choirs singing. In the wake of Charlton Heston's death, I decided to have a marathon viewing of his films. Mostly he frets around with his brushes, only roaring to life when aggravated by the pope.
There is even an unnecessary intermission after an hour. It's not one of Heston's most famous roles, but it's a well-made film and definitely worth watching.
great movie and speddy delivery make me want to buy more from the seller
Loved this line."It is yours only when I give it to you." Another appropriate title could have been."The stubborn vs the headstrong" Both lead did a wonderful job of bringing their charactoers from the screen into the living room. Curious story of what can result when we are pushed beyond our anticipated limits by unusual mentors.
Heston's portrayal of Michelangelo conveys the attitude of the tempermental artist to perfection, while Harrison's role as Julius II gives a down-to-earth view of the "warrior pope," ending somewhat more sympathetically than one might expectand probably rightly so. If you like stories dealing with the battle of wills, or if you are a fan of Renaissance hisotry/art/anything, this film is well worth it. The Agony and the Ecstasy is a wonderful adaptation of Irving Stone's book.
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