Too Human
Step into the world of Too Human As the cybernetic god Baldur, you are thrust into the midst of an ongoing battle that threatens the existence of mankind. An ancient machine presence has forced the god's hand. In the first part of a trilogy, Baldur is charged with defending humanity from an onslaught of monstrous war machines bent on the eradication of human life. In Too Human, players experience a nonstop barrage of action powered by the integration of melee and ranged firearms combat and fueled by breathtaking visuals enabled by the Xbox 360. Battles unfold in awesome scale as players engage with vast numbers of enemies.
Too Human Accessories
 Star Wars: The Force Unleashed
Fable II
Fable II, Limited Collector's Edition
Fallout 3
Gears of War 2
Left 4 Dead
Dead Space
Gears of War 2 Limited Edition
Infinite Undiscovery
The Last Remnant
Too Human Reviews
Combining Norse gods with technology was an original idea but they should have focused on making gameplay actually fun. Just when you near the end of the game the villain escapes and credits roll signaling a sequel. Never mind that the game is short because it seems like an eternity to finish each level. The only change of scenery are the forest like cyberspace sections where instead of fighting, you only open doors to progress further in the levels. If you must play it, I highly recommend renting instead. Other reviews have already mentioned the horrible camera. Honestly the best thing about the game was the cutscenes.
The player is swarmed by wave after wave of the same robot enemies that you have no chance of beating without dying several times and thereby forced to watch the unskippable valkyrie cutscene over and over. All the levels are nothing but long corridors/bridges and without a map this is frustrating. The makers must have known its practically impossible to get through missions without dying so they just respawn you, taking away most of the challenge of the game especially on boss fights. I thought this game would be cool after seeing the demo with fighting similar to DMC's sword/guns and rpg style customization features.
Sure, you can center the camera behind you and have a limited ability to look around- sometimes- but most of the time it just swings around randomly inducing violent motion sickness. The visuals are beautiful and interesting- think Blade Runner meets Norse mythology and you've got a good idea. Using the right stick as your attack instead of the buttons is a little weird but not bad, and I found the customizations adequate if a little weak. It's impossible to control in any useful way. The story is fairly standard for video games, but that's not a bad thing. The problem, and it's a deal breaker, is the camera.
After years of hype, the supposed 10 year development cycle, ditching Nintendo claiming they do not understand art, countless delays, Microsoft spending millions and millions of dollars to fund the rest of its development, and the lead designer claiming this will be a revolutionary game that will elevate the videogame genre into the high art form alongside with films and literature, the end result is a utter mess. There are only four main levels where you fight the same horde of enemies over and over again for around 8 hours of the total game length (8 hours I want back)., Loot management is a pain and totally pointless since you cannot really die; you'll just be forced to watch the same revival animation throughout. It's like an 8 year old's take on the norse mythology - totally absurd and plastering sci-fi cyberpunk look over everything. This game has gotten abysmal reviews nearly everywhere, and rightfully so. Believe the scathing reviews, this game is simply awful, plain awful. The gameplay is just a really awful hybrid of role playing dungeon crawl and action games like devil may cry, except it's been simplified to the point where you will fall asleep playing it. The story and the way it is presented is awful too.
Too Human was basically stuck in development hell and was supposed to be a big Playstation epic (that's the first machine by the way), then on the Gamecube then finally on the Xbox 360. The first of which is looting where better weapons and equipment can be found throughout the levels with better damage, better sell value and whatnot (though they have really silly names that sound like D&D to the extreme) and it's a common occurence to go into your menu and switch equipment, sell crap equipment or add Runes which act like special bonus abilities. But is it one of those projects where the wait was worth it. Graphics: For all of its copy-and-pasting of environments, Too Human's graphics look quite stellar with dozens of enemies on screen at once, facial animation and detail in cutscenes to be cool and "cyberspace", a garden that looks more real than anything in the normal world has a nice tranquility and feel. Sound/Music: The music is going for that cinematic and epic feel which is strange because outside of cutscenes, I barely noticed it.
Nope and in fact it seems only to enhance the problems of the game actually since it makes me look at the repetitive hack-and-slashing of the "Dynasty Warriors" games in a better light thanks to this: those are easier and quicker to make, fun in that boneheaded way and has enough story to at least compel in the slightest. Too Human on the other hand feels like it took so long because they didn't know when they wanted to stop. This leaves you having to rely on an ineffectual camera that will shift for no apparent reason, changing your direction and resetting the camera doesn't help either because it's trying to say "quit trying to reset the camera and look at something I want to show you." Also there's no lock-on meaning instead of focusing on the one missile launching cronie, you're shooting some foot soldier that you can vanquish with the greatest of ease. Essentially you don't really "die" in the game so much as respawn a ways behind where you were (though sometimes it spawns you in the thick of battle anyway) and it's unskippable, unnecessary since a "now loading" screen would've done the trick or for co-op, just have them disappear then re-appear later but the big problem: how many times you'll run into it and there's even an achievement for dying 100 times meaning seeing the cutscene that much. Enemies will continually firing lasers, swarms of enemies coming up to you and sometimes exploding with incurable status effects temporarily or freeze upon contact and let's just say the cutscene will not be a favorite among anyone. There's the occasional slowdown and inexplicably, collision detection with melee attacks actually not connecting in close quarters or power-ups I can't seem to grab even though I should be able to but other than that, it's a great looking game. Aurally, it's a mixed bag but some people might love the score while others are hearing some much sword clashes and explosions that you'll probably just tune it out. While I might appreciate more on its own, within the game it was like I was unconciously phasing it out and not even hearing it.
The story follows Baldur through several levels as he takes on numerous enemies and the political ideals that are encouraged. In the most egotistical and ill-fated development news, Too Human is apparently part 1 of an "epic" trilogy which is strange considering Too Human's story is interesting sure but doesn't have the draw a trilogy needs for return visits and considering Too Human's length of at most 10 hours, it's best that Silicon Knights either work on making Too Human 2 vastly improved over the original or don't even bother and work on new exciting material or an Eternal Darkness sequel.one that won't take 10 years to make. Story: Using Norse mythology as a template, the game centers on Baldur, son of Odin who's been tasked to defeat the machine armies who seek to vanquish all life. It's the school of thought some developers have where it "sounds like a great and unique idea" but never figuring out how to make it work properly because it's too focused on how unique it is. Oh and for those of you who haven't found out, you melee attack using the right analog stick. If you're a collection gamer and love getting that one weapon with better damage than the other than you're going to love this.
Gameplay: As with other games, there tends to be a familiarity in your tasks and controls and it's up to the game to give fresh uses or change it up a bit via a vehicle section or special mission (i.e: the stealth sniper mission in Call of Duty IV) but in Too Human's case, it's basically a case of "get used to this because you're going to be doing it for a long time." It's basically a dungeon crawler hack-and-slash and believe me when I say this game get can mind-numbingly repetitive to the point where I get the feeling it took 10 years just to program the levels themselves since they seemingly go on forever. Now we come to the big issue and the one chief offender I have with the game: the Valkyrie cutscene. Only the Gods are actually enhanced by cybernetics and Baldur with his non-cybernetic ways makes people see him in a lesser light, thus making him be "too human". Voice acting on the other hand is quite stellar and really delivers. Just push in the direction you want to attack in and Baldur goes from there though he'll actually stop should you stop so instead of repeatedly pressing B in a button-masher way, now it's a stick masher as one game website described it as. Another way you progress is with the skill tree where you can get better damaging attacks, added status effects or new abilities to use and thankfully you can buy back your skill points should your initial choices suck.
The phrase "here we go again" definately applies here as you'll be doing a lot of one thing the entire time. As I was playing Too Human, one thought occured to me: this is a classic example of someone getting way too big of a head with an even bigger ego only they just so happen to be the main driving force in a given project and not knowing when to say when.
One of the worst things ive seen in a game. I only played with the berserker class, but I felt like I had enjoyed enough of the game with one play through. Extremely slow and annoying deaths. You have to enter cyberspace many times throughout the game, and this is extremely tedius and slow. There are many other cons, but I will just post a quick summary of the game. Also, there are a few times when there are many machines you have to kill, but every time you die it takes you atleast 15 or 20 seconds to come back to life. The pros include:.
If you are superhuman, why do you have to basically waddle throughout every part of the game where there is no enemies. The cyberspace. You may be able to color your equipment with runes, but all of the combat is basically the same, even when you master all of the advanced combat moves. Also, i really wish there was a button to make you run faster. Sound clips. Repetitive skill and combat styles.
Slow movement except when in combat. Now, the cons. There is absolutely no action here, except running around different areas trying to find different ways to move on in reality. If you die 4 or 5 times in a specific spot, and the combat itself only takes two minutes, you are spending half the time watching an angel type creature take you up and come back to life over and over and over. The combat control was also very different. I realize there are many other reviews on here, but i feel obligated to list the pros and cons with this game. Semi colorful equipment.
If you like this sort of game, I would advise renting it first; you will probably get enough of it from playing it just once. Addictive combat scenes. The very first thing i saw was the cutscenes, which were nice. Cut scenes look decent. It was not completely bad, but it seemed strange that the only game that had this strange combat control style and terrible camera placement was with this game. After that, it progressed into a worse game. The same also goes for your skills: you have a skill tree, but it barely affects gameplay as much as Oblivion or Diablo 2 does.
The equipment selection and weapons are somewhat cool though.
|
